2550,00 € TTC
1 in stock (can be ordered)
For September, the Maison Daum presents the Ginkgo collection in amber. This colour was inspired by the autumn leaves of Ginkgo, as they turn into beautiful golden yellow leaves that persist for several weeks. When the leaves fall, they form a golden carpet around the tree. The Ginkgo collection, in a new colour, recalling the autumn leaves of the tree.
With more than 138 years of experience, our export team takes the greatest care to package each order. A damaged product? We will send a new one. A lost parcel? We will send a new one. The shipping cost include an insurance break and lost.
For a delivery outside the European Union, you can pay your order without VAT. Please, use the coupon code FREETAX into your cart.
AMBER GINKGO BOWL DAUM, For September, the Maison Daum presents the Ginkgo collection in amber. This colour was inspired by the autumn leaves of Ginkgo, as they turn into beautiful golden yellow leaves that persist for several weeks. When the leaves fall, they form a golden carpet around the tree.
The fan-shaped leaves, supple and supported by a long stalk, are bright green in spring and summer, before taking a sumptuous golden yellow colour in the autumn, earning its nickname, the tree with a thousand écus (French medieval gold coins).
Giving a Daum gift is giving colour, light, beauty and rarity as all pieces are by their very essence unique. Pâte de Cristal is a rare and ancient glassmaking technique, which dates back to 5000 BC. Daum rediscovered this long-forgotten technique in 1900 and further developed it in 1968.
The Daum adventure is an extraordinary story of creativity, which, over the decades, has embarked the House on an artistic adventure in permanent renewal. The House of Daum was founded in 1878, and was rapidly riding the artistic wave of the Ecole de Nancy. It opened itself to all the innovative glassmaking techniques of that era, which enable it to reach the peaks of creativity at the sides of its peer, Emile Gallé. Daum was rapidly recognised as an essential milestone in the prodigious adventure of Art Nouveau. The Universal Exhibition of 1900 awarded Daum a Grand Prix and brought it international renown.
Always innovative, Daum had already cloaked electric light with glass, in association with major artists of the period, like Majorelle and Henry Bergé. As of the mid-1920s, attitudes and tastes changed, the wheel of the creative adventure turned and Daum gradually left the shores of Art Nouveau to approach those of the nascent Art Deco movement.
Daum produced pieces in this new style which rank among the most beautiful in the entire Daum collection, with a richness of proposals, an accuracy of design and a sublimation of the materials. Glass took on a mineral, frosted and crystallised aspect. Bevels were arranged in a cubist spirit, planes cut deep into the glass resolutely shook old habits.
